[et_pb_section fb_built=”1″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row column_structure=”3_5,2_5″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”3_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_post_title author=”off” categories=”off” comments=”off” featured_image=”off” _builder_version=”4.16″ global_colors_info=”{}”][\/et_pb_post_title][et_pb_text _builder_version=”4.27.4″ hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n
Na kuminsamentu di a\u00f1a skolar nobo Teatro Kadaken lo bai present\u00e1 un obra nobo den e Sala di Teatro na Habaai. Ta trata ak\u00ed di un presentashon teatral musikal yam\u00e1 \u2018Piar: e \u00faltimo bataya\u2019 ku teksto di Franklin Salgado i bou di direkshon di Milushka Birge.<\/p>\n
E presentashon ta trata bida di Manuel Piar (1777-1817), luchad\u00f3 pa libertat yu di K\u00f2rsou ku tabatin un r\u00f2l krusial den terminashon di opreshon kolonial den nos region. Piar tabata forma parti di un movementu regional ku tabata manten\u00e9 un relashon estrecho ku K\u00f2rsou, i ku tabata di gran importansia pa a foment\u00e1 ideanan di libertat den e pueblo di su isla natal. E obra Piar ta un presentashon na papiamentu pa skol avans\u00e1 i pa p\u00fabliko en general ku sinku aktor den un esenario yen di m\u00fasika i baile. Eric Calmes ta esun enkarg\u00e1 ku m\u00fasika.
Segun lider komersial Maryluska – Lou \u2013 Nisbet di KadaKen : \u201cPa K\u00f2rsou, konsiensia di impakto di kolonisashon i konsekuensia di esaki ta mash\u00e1 aktual. Ku e obra Piar, Kadaken ta sosten\u00e9 e proseso di konsientisashon ak\u00ed. Nos a ripar\u00e1 ku hopi hende konos\u00e9 e n\u00f2mber Manuel Piar, pero tiki ta esnan ku realmente konos\u00e9 su bida i sa kon bin e tabata un yu di K\u00f2rsou importante den e lucha kontra podernan kolonial i opreshon.\u201d
Piar su historia di bida ta hopi fasinante i ta duna nos hopi kuminda pa pensamentu. Pa skol avans\u00e1 e presentashon tin aspektonan komun ku materianan manera Formashon Ekspreshon Art\u00edstiko, Historia, Siensia Sosial i Geografia ku temanan ku por s\u00f2ru pa hopi t\u00f3piko di diskushon manera libertat i igualdat, identidat, importansia di Haiti pa nos historia, yalusia, poder i eksklushon.<\/p>\n
Pa prom\u00e9 biaha KadaKen den kooperashon ku direktora Nathania Engelhardt di Debat.ed (Debate Education Foundation Cura\u00e7ao) ta ofres\u00e9 tayernan komo post-kuido na skolnan ku bishit\u00e1 e presentashonnan i ku ta profundis\u00e1 den e temanan na un manera struktur\u00e1.
Nisbet ta ferwagt hopi di e kuido ak\u00ed:\u201dPa KadaKen esaki ta un paso importante mas den nos desaroyo. Dor di ofres\u00e9 guia, nos ta oument\u00e1 impakto di e presentashon riba nos ense\u00f1ansa. Nos por ofres\u00e9 e tayernan ak\u00ed gr\u00e1tis, danki na e sosten di \u201cVfonds\u201d.<\/p>\n
Durante e kuater a\u00f1anan binidero Teatro KadaKen lo duna h\u00f3bennan e oportunidat pa deskubr\u00ed loke ta esensia di ta liber i di demokrasia. Nan lo eksplor\u00e1, diskut\u00ed i traspas\u00e1 esaki pa nan mes bida i pensamentu.
\u201cNos ta hasi esaki den nos prom\u00e9 produkshon, dor di bai b\u00e8k den un periodo den historia den kual libertat tabata ser kuestion\u00e1 ekstensamente\u201d, Nisbet ta sigui elabor\u00e1. \u201c Manera semper ta trata ak\u00ed di desaroyo di konsientisashon. Nos p\u00fabliko lo disfrut\u00e1 di e presentashon i alabes nan ta ha\u00f1a ch\u00e8ns di pensa riba kuestionnan sosial urgente. Nan lo keda konfront\u00e1 ku nan mes historia:\u201dKon nos a yega kaminda nos ta aworaki?\u201d
Pero s\u00ed nos ta inkorpor\u00e1 e spiritu di tempu den e produkshonnan. Pa e motibu ak\u00ed nos obra teatral musikal ta un presentashon atraktivo tantu pa skol komo pa un persona ku ke bishit\u00e1 e obra riba su mes.
Un echo importante ta e ayudo ku KadaKen a risib\u00ed di \u201cFonds Podiumkunsten\u201d ku pa prom\u00e9 biaha den historia a otorg\u00e1 un supsidio di mas a\u00f1a na e organisashon. E produkshon ak\u00ed tabata posibel tambe ku yudansa di \u201cCultuurfonds Caribisch Gebied\u201d i \u201cVfonds\u201d.<\/p>\n
Pa mas informashon tokante e presentashonnan pa skol, fabor tuma kontakto via e siguiente numbernan di telef\u00f2n 569 8417\/672 4580 \u00f2f via di mail na: teatropafundeshi@teatrokadaken.org<\/a><\/p>\n [\/et_pb_text][et_pb_text admin_label=”%91addtoany%93″ _builder_version=”4.16″ global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_post_nav in_same_term=”on” _builder_version=”4.16″ global_colors_info=”{}”][\/et_pb_post_nav][\/et_pb_column][et_pb_column type=”2_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_post_title title=”off” meta=”off” _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_post_title][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" Na kuminsamentu di a\u00f1a skolar nobo Teatro Kadaken lo bai present\u00e1 un obra nobo den e Sala di Teatro na Habaai. Ta trata ak\u00ed di un presentashon teatral musikal yam\u00e1 […]<\/p>\n","protected":false},"author":6,"featured_media":2410,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":" ESTRENO DI E OBRA TEATRAL 'CHAKUTOE' RIBA DIA INTERNASHONAL DI TEATER. MESTER TENE E KANDELA BIBU PA TEATER!!<\/p> Direktor Art\u00edstiko Gilbert Bacilio. Aktor: Norma Cova San RamonGuenn Gustina Tisjaira Martina Roley Kelkboom i Albert Schoobaar.<\/p>","_et_gb_content_width":"","_vp_format_video_url":"","_vp_image_focal_point":[],"wds_primary_category":0,"footnotes":""},"categories":[23],"tags":[],"class_list":["post-2414","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-piar-e-ultimo-bataya"],"_links":{"self":[{"href":"https:\/\/teatrokadaken.org\/pap\/wp-json\/wp\/v2\/posts\/2414","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/teatrokadaken.org\/pap\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/teatrokadaken.org\/pap\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/teatrokadaken.org\/pap\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/teatrokadaken.org\/pap\/wp-json\/wp\/v2\/comments?post=2414"}],"version-history":[{"count":0,"href":"https:\/\/teatrokadaken.org\/pap\/wp-json\/wp\/v2\/posts\/2414\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/teatrokadaken.org\/pap\/wp-json\/wp\/v2\/media\/2410"}],"wp:attachment":[{"href":"https:\/\/teatrokadaken.org\/pap\/wp-json\/wp\/v2\/media?parent=2414"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/teatrokadaken.org\/pap\/wp-json\/wp\/v2\/categories?post=2414"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/teatrokadaken.org\/pap\/wp-json\/wp\/v2\/tags?post=2414"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}